Event


Sentimental Machines: Workshop during ICRA21 Conference
May
30
to Jun 5

Sentimental Machines: Workshop during ICRA21 Conference

  • Xi’an International Convention and Exhibition Center (map)
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Sentimental Machines

1 Day workshop during the 2021 International Conference on Robotics and Automation (ICRA2021), Xi’an, China

AF initiated and will be co-organising a 1 day workshop during the 2021 International Conference on Robotics and Automation (ICRA 2021). More details on how to participate will be posted shortly.

Workshop website: https://roboticart.org/icra2021/

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Feb
24
3:00 PM15:00

Giving form to sentimental machines - Round Table during the Royal College of Art Research Biennale

Image credit (left) Chang Gao,2020

Image credit (left) Chang Gao,2020

How do you give form to sentimental machines?

An Affective Futures Round Table

Free event, register via Eventbrite here

This round table session discusses the creation of embodying affect and emotion through interactive materiality, including interactive objects, wearable artefacts and robotics. We invite researchers and practioners from the Royal College of Art, designers and engineers from Human-robot interaction and Human-computer interaction, whose work are all related to creating affective material or robotics, for a round table discussion. We discuss the anticipation and challenges of embodying affective attributes through tangible means and explore crosscurrents of different disciplines. We also invite interested audiences to join us and share your questions and commentary on this topic. For registration please send email to affectivefutures@gmail.com or register via Eventbrite here

Panelists:

Chang Gao

PhD candidate, Royal College of Art, School of Arts and Humanities

http://www.gaochangart.net/

Chang Gao is a visual artist using multiple media in her practice production, like ECG heart-rate interactive sculpture, hologram installation, AR interface, film and photographic language. As a public art researcher, her works overlapped with the field of psychology, aiming to trigger the audience's sensous desire and bodily responses. By exploring the relations between the very personal matter of the human body and the public space, her artwork serves as an alternative method to address the pressing cultural issues in Chinese public space.

Dr. Ben Robins

Roboticist, Adaptive Systems Research Group, University of Hertfordshire UK

https://drbenrobins.com/

Dr. Ben Robins is a Senior Research Fellow in the school of Physics Engineering and Computer Science at the University of Hertfordshire, UK. Ben’s qualifications and many years of work experience lie in two disciplines: Computer Science and Dance Movement Therapy. Ben completed his PhD research degree in the school of Computer Science at the University of Hertfordshire, focusing on assistive technology for children with autism, bringing together his expertise and experience in these two disciplines.

Ben’s research, which started in 2002, investigates the potential use of robots as therapeutic or educational tools, encouraging basic communication and social interaction skills in children with autism. His current work is further investigating robot-assisted therapy and continues the development of the KASPAR robot as a therapeutic and educational tool. This includes running several long term studies with KASPAR and children with autism in families’ homes and in collaboration with schools and medical centres internationally.

Soomi Park

http://soomipark.com

Soomi Park is a London-based designer from Seoul, South Korea. She is currently a lecturer in the Department of Design at Goldsmiths University of London. Her research crosses the boundaries between design, fiction and cognitive psychology. Through the lens of her research background, her work discusses the complex relationship between emerging technologies and human desires. Her practice encompasses a wide range of mediums, including interactive installations, speculative objects, film, photography, performance, and wearables. She holds MA in Design Interactions at the Royal College of Art in London and currently pursuing her PhD at the Media, Art and Technology programme of the Queen Mary University of London.

Dr. Maitreyee Wairagkar

Postdoc researcher on affective robotics, Imperial College London

https://www.linkedin.com/in/maitreyeewairagkar/?originalSubdomain=uk

Maitreyee is a postdoc researcher in artificial intelligence, social robotics, brain-computer interface, and assistive technology at Imperial College London. Her research is focused on breaking barriers between humans and technology by developing intuitive modes of interaction with technology using brain signals, gestures, and natural language. She is developing interactive affective social robots capable of identifying emotions of users and responding by displaying appropriate expressions using machine learning for speech analysis, natural language processing and detecting facial expressions. These social robots will be used to support people with dementia by interactively monitoring their health and wellbeing and assisting them in activities of daily living. She has also developed brain-computer interfaces to control robotic rehabilitation devices and brain-robot interface to evaluate human-robot interaction. Maitreyee has completed her PhD and MEng in Artificial Intelligence and Cybernetics from the University of Reading.

Dr. Rain Ashford

https://rainycatz.wordpress.com/about/

Rain Ashford is a technologist, designer, educator, curator and project manager working in the field of wearable technology. Her practice fuses design, code and hardware to investigate how wearable technology can be used to create new forms of nonverbal communication, using physiological and environmental sensor data, amplified as sensory feedback. Her Computing PhD at Goldsmiths investigated potential wearers of responsive and emotive wearables via the development of research prototypes. This research focussed on opinions regarding the experience of wearing technology artefacts in public and private spaces, including investigating issues around personalisation, aesthetics and functionality, as well as ethics and privacy. During her studies, Rain was selected for a Convocation Trust Student Entrepreneur Award, was a finalist in EPSRC’s UK ICT Pioneers Competition and co-developed an EEG controlled dark matter educational game at CERN. She has presented her work extensively in the UK, and internationally in Europe, Asia and USA. Currently, Rain is investigating AI and machine learning for wearable embedded systems.

The round table is moderated by Caroline Yan Zheng, PhD candidate at the Royal College of Art

Free event, register via Eventbrite here

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Affect & Embodiment in HRI, Worshop during HRI2020, the 15th Annual ACM/IEEE International Conference on Human Robot Interaction
Mar
23
1:45 PM13:45

Affect & Embodiment in HRI, Worshop during HRI2020, the 15th Annual ACM/IEEE International Conference on Human Robot Interaction

Kibo 2.0 Personal Robot

Kibo 2.0 Personal Robot

More details on dedicated Conference workshop page:

https://sites.google.com/view/affect-and-embodiment-hri/home?authuser=1

CALL FOR PARTICIPATION

HRI 2020 Call for Papers: ‘Affect and Embodiment in HRI’ Workshop

15th Annual ACM/IEEE International Conference on Human Robot Interaction, Cambridge, UK, March 23-26, 2020


Rationale

How do forms of robot embodiment influence the emotional state of the user? In Human-Robot Interaction (HRI), affect and embodiment have become prominent areas of inquiry. The physicality of robotic systems is therefore a crucial factor for user interactions in shared spaces. This recognition of machinic corporeality shares theoretical affinities with recent interests in the humanities and social sciences. In the cognitive sciences and philosophy, for example, the body has long been regarded with suspicion, but recent theories of embodied, extended, enactive, or ecological (4E) cognition have meant a renewed significance for the body as the locus of perception and action, inseparable from memory, learning, and reasoning activity. Meanwhile, the ‘Affective Turn’ in the social sciences recognizes the role of affects and embodiment in the production of intersubjective experiences.

Designing and evaluating the affectivity of the robot body has become a frontier topic in HRI, with previous studies emphasizing the importance of robot embodiment for human-robot communication. In particular, there is growing interest in how the tactile, haptic materiality of the robot mediates users’ affective and emotional states.


Workshop Objectives

1) to identify relevant questions for the design of robotic bodies with high affective qualities;

2) to consider cross-currents in ethical, philosophical, and methodological questions in studying emotional relations between humans and robots; and

3) to foster synergies among designers, engineers, and social scientists in affective robotics.


Topics of interest

Topics of interest include, but are not limited to:

  • Current challenges in designing affective physical embodiment in robots—materials, kinesthetics, sensory experience, and behaviors enabled by affective computing

  • Acknowledging a user’s emotional needs within an interaction and how those needs are met or not met by the robot

  • Novel affective experiences afforded by interaction with robots

  • Studying unintended consequences of affective relationships with robots

  • Developing design frameworks and methodologies to approach the above questions

  • Developing theoretical frameworks and social science methodologies for evaluating affect and embodiment in human-robot interactions


Types of contribution

The workshop includes three types of contributions: full papers (15 mins), ignite talks (5-10 mins), and a hands-on interaction session based on co-design methods. We will accept four full presentation papers and six ignite talks, each of which will raise a significant question or problem around affect and embodiment in HRI. The workshop includes two interactive, participatory activities. The first is a ‘Mapping and Clustering’ exercise based on co-design methods. The second is a round-table discussion with themed questions.


Publication

Developed papers from the workshop will be collected and published in a special issue of a journal such as IEEE Transactions on Technology and Society, Body & Society or The Senses and Society.


Workshop schedule

  • Introductory remarks and short position statements

  • Full presentation papers (4 x 15 mins)

  • Ignite talks (6 x 5-10 mins)

  • Interactive session - group hands-on activity with post-it notes based on co-design methods (1 hour)

  • Roundtable/conclusion with themed questions

Detailed program will be published in Program page closer to the conference date.


Important Dates

21 February 2020: Submission Deadline for Extended Abstracts (500-800 words)

1 March 2020: Notification of acceptance for presentations

23 March 2020: half-day Workshop


Format

Please submit an extended abstract in MS Word format. Abstracts should be 500-800 words (references do not count towards submission length); this applies to both submissions for full presentations or ignite talks. Please indicate in your abstract whether your submission is for a full presentation or an ignite talk.


How to Submit

Please submit in MS Word to affectandembodimenthri@gmail.com, with the email subject of "Submission for Workshop HRI2020".


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Sep
22
to Sep 23

A demo and workshop for participants to prototype and personalise emotionally smart wearables and robots with provided toolkit, V&A Museum, London Design Week

  • Victoria & Albert Museum (map)
  • Google Calendar ICS

Affective Futures was invited to Digital Weekend at the Victorial & Albert Museum for demo and drop-in workshop as part of London Design Week 2018.

Wearable computers and robots are becoming “emotionally" smarter as algorithms try to make sense of our emotional cues.

They also provide us with tools to connect in ways that were unimaginable before. Whether this is empowering or exploiting depends on what we do with affective technologies and how we use them.

Can affective technology really address your need? At Affective Futures, we create technology and artistic toolkits to enable personalised and diversified visions of the futures. Please come and join us for a hands-on session to make your own future versions of emotionally smart wearables. No experience needed. Toolkit and materials provided.

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Soft Machines: A cross-disciplinary conversation on soft robotics, art and design, accompanied by a pop-up exhibition
Nov
23
4:00 PM16:00

Soft Machines: A cross-disciplinary conversation on soft robotics, art and design, accompanied by a pop-up exhibition

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A cross-disciplinary conversation on soft robotics, art and design, accompanied by a pop-up exhibition.

Nov 23rd Seminar 4-5.30/40pm, Lecture Theatre 1

Pop-up exhibition, 3.30-9pm, ArtBar

 

Seminar:

4.00 – 4. 05 opening, By Julie and Caroline

4.10 - 4.18 Speaker, Dr. Helge A. Wurdemann, including Q&A

4.20 – 4.38 Speaker, Julie Freeman(represented by Kaspar), including Q&A

4.40 – 5.58 Speaker, Dr. Michael Wihart, including Q&A

5.00 – 5.10 Respondent, Dr. Maya Oppenheimer

5.10 - 5.15 Professor Kaspar Althoefer

5.15 – 5.30 Panel discussion and Q&A from audience, chaired by Professor Kaspar Althoefer

5.35 Caroline, intro to exhibition, research group, and Bar

 

5.40 onwards conversation, pub with pop up show @ ArtBar

 

 

Seminar description


Soft and bio-inspired robotics offers new ground for designing interactivity. These are machines that have an organic appearance and produce analogue movement. What are the phenomena brought about by such robotics? What critical questions do we ask about our relations with such machines? Robotic engineers focus on functionality, while artists and designers are starting to experiment with the perceptual and aesthetic properties.

This seminar brings together pioneering researchers from robotics engineering, art and design to share their practice and research. It is part of an initiation to facilitate a space for cross-disciplinary researchers and practioners to converse, debate and catalyse critical questions. The event is initiated by Julie Freeman, Caroline Yan Zheng and sponsored by the college Research Office. A pop up exhibition by the Sentimental Soft Robotics AcrossRCA group will accompany the talk. The exhibition will be held in in ArtBar

Speaker micro intro

Dr. Helge A. Wurdemann

Lecturer and leader of the #SoftHapticsLab in the Department of Mechanical Engineering, Universtiy College London. Dr Wurdemann's research interests include the design and application of bio-inspired, soft and stiffness-controllable medical and haptic devices and robotic art.

Dr. Michael Wihart
Lecturer in Emerging Technologiess at Liechtenstein Universtity, Co-founder of Adaptalab Products, Senior architect at Patalab Architecture. Michael investigates the relationship between architecture, human being and technology through the agency of soft machines. He has completed his design-led doctoral research at the Bartlett School of Architecture, titled 'The Architecture of Soft Machines' in 2015.

Julie Freeman
TED Senior Fellow, Art Associate at the Open Data Institute, QMUL doctoral candidate on the Body Language of Objects, using soft robotic techniques.

 Respondent

Dr. Maya Oppenheimer

Dr Maya Oppenheimer is a design writer, researcher and educator. Her work focuses on the influence of tools, instruments and methodologies on experimental outcomes in behaviour studies and design research as well as design pedagogy and criticism. She teaches across the History of Design and Critical & Historical Studies programmes at the Royal College of Art and is a Trustee of the Design History Society.


Panel chair
Professor Kaspar Althoefer
Professor Kaspar Althoefer is a roboticist with a keen interest in soft and stiffness-controllable robots. He likes to apply his octopus-inspired creations to areas such as keyhole surgery and human-robot interaction for the factory of the future. On occasions, he has collaborated with artists, designers and architects on soft robot installations.

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